Emergency: The Living Theatre

a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)

The Connection

A professional recording of the official play. The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music.

Cour d'honneur de Jérôme Bel - Avignon 2013

Jérôme Bel's show features the memories of spectators at the Avignon Festival.

Rite of Guerrilla Theater

Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.

This American Wife

The body of a Real Housewife is an apparatus, an assembly of parts—hair, lips, dress, falsies, mic pack, cell phone, wine stem, camera, restaurant, brand, identity. This body is maintained and degraded, intoxicated and cleansed, in seasons and cycles, systems of supply and denial. The self needs a medium. Who cares who you are when you’re alone anymore?

Paradise Now

At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.

Guests of The Nation

During the Irish War of Independence in 1921, a pair of IRA soldiers are ordered to guard two British prisoners, but face a dilemma when they bond with their captives.

When You Hear the Bells

In Afghanistan, "batchas" are young male prostitutes who live under the protection of a master in a house where they are trained to dance dressed as girls for a men's audience. Veteran dancer Saman starts worrying when he sees Bijane, the new recruit, who has been chosen to replace him. Despite his jealousy, he must initiate Bijane into the art of the Batcha dancing.

Tere Liye

Tara, Dev Prakash Tandon, Aditya Verma, Ritu Malhotra, and Raghu, run their own band, and practice at Aditya's dad's studio. When an actress, Piya Anand, hears their number, she wants to join them, but Ritu rejects her, as she feels that Aditya may be falling for her. The group subsequently relent, let her join, and the inevitable happens when Aditya starts going out with Piya, with Raghu showing an interest in Ritu. They enter their band into a contest, compete, and qualify for the finals. Then they get devastating news when Ranjit Bose takes over the studio and threatens to demolish it. Things gets even worse when Piya finds out that Ranjit is her estranged dad, and will never permit her to take part either on the tinsel screen nor in a band.

Unser stiller Mann

Maresia

Where do you draw the line between fact and fiction in one man's life? That's the issue confronting an art expert delving into the biography of a painter who drowned 50 years ago, whose presence suddenly makes itself felt through the appearance of a contemporary friend.

A Mulher de Branco

Orange: Future

Twenty-six-year-old Hiroto Suwa; his wife, Naho; and their old high school classmates—Takako Chino, Azusa Murasaka, and Saku Hagita—visit Mt. Koubou to view the cherry blossoms together. While watching the setting sun, they reminisce about Kakeru Naruse, their friend who died 10 years ago. Mourning for him, they decide to visit Kakeru's old home, where they learn the secret of his death from his grandmother.

Bryllupet

Bed-Rella

Min-cheol goes down to the countryside to focus on the foundation project. He meets Gyu-ri, a scenario writer. They fall in love and spend a hot night together but the next day she disappears. Will he be able to find the 'perfect size'?

Russian Mom

Jang-ho who dreams of becoming a chef is pretty close to his dad Yeong-soo; enough to talk about his girlfriend and they live alone. One day, Yeong-soo tells Jang-ho that he's getting remarried to a Russian woman. Jang-ho accepts this and meets Olga. He is surprised to see a young and beautiful woman standing before him. A few days later, Yeong-soo goes to Russia on a business trip and Jang-ho and Olga get to know each other.